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                <text>Is He a Vicious Animal?</text>
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                <text>Capitalism--United States |</text>
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                <text>Natural resources--United States |</text>
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                <text>Ink &amp; crayon drawing published in The Best of Art Young. New York: The Vanguard Press, 1936, p. 55.&#13;
&#13;
Caption: “Is he a vicious animal? Just you try to take his bone away.”&#13;
&#13;
This is an example of one of Young’s cartoons attacking the capitalist system, in this case for its exploitation of natural resources.</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>Undated</text>
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                <text>2010.02061</text>
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              <text>Political cartoon</text>
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                <text>In Darkest Chicago</text>
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                <text>Ink drawing. This is an example of an early non-political cartoon by Young from the days of Chicago’s Columbian Exposition serves. Many fair visitors spent money in the "Levee," a notable vice district in Chicago, and many politicians got a cut of that money.  The Levee’s location between the fairgrounds and the hotels in Chicago’s Loop helped it draw tourists leaving the fair to its nighttime, illegal entertainments.  This cartoon, published in Chicago Inter-Ocean, depicts “types of the Levee.” Vice districts were havens for crime, but the city tolerated that crime with the intention of keeping it confined to a manageable area.  The cartoon shows thieves congregating and preying upon passersby, an impoverished girl selling flowers on the street, a disreputable concert hall, and a police raid.</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>c. 1890</text>
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                <text>2010.00065</text>
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                <text>I Will Never Desert You Mr. Micawber</text>
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                <text>New Deal, 1933-1939</text>
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                <text>Ink drawing published in The Nation (Washington, D.C.). Here, Young compares President Franklin D. Roosevelt to Wilkins Micawber from Charles Dickens’s novel David Copperfield, a perpetually destitute character who is convinced that his fortunes will one day turn around, and the members of the American public who still faithfully follow Roosevelt to Micawber’s loyal wife. When Young drew this cartoon, unemployment was still over seventeen percent, despite Roosevelt’s many projects aimed at reducing it.</text>
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                <text>Young, Art, 1866-1943</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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                <text>c. 1939</text>
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                <text>2010.01754</text>
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                <text>Hoodoed</text>
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                <text>Depressions--1929--United States</text>
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                <text>Elections--United States--1932</text>
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                <text>Ink &amp; Crayon Drawing published in Art Young and Heywood Broun’s The Best of Art Young. (New York: Vanguard Press, 1936). Caption: “You stop following me! D'hear. Here I am all dressed up for a second term and you spoil everything." Young depicts President Herbert Hoover as a squat, unromantic figure who wears expensive clothes and tries to escape the Depression that dogs his steps.</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>c. 1933</text>
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                <text>2010.00206</text>
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            <description>A name given to the resource</description>
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                <text>History Repeats</text>
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                <text>Ink drawing. In the last year of his life, Young actually defended Franklin D. Roosevelt. In this image, Roosevelt sits at a desk covered with papers listing the threats he faces while George Washington and Abe Lincoln look on approvingly. Young’s implied support for the New Deal in this cartoon is a noteworthy contrast to his criticism of Theodore Roosevelt’s watered down socialism in his “Stealing Thunder” cartoon decades earlier and his “I will never desert you Mr. Micawber” cartoon just a few years before.</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>Go gettem!</text>
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                <text>Elections--United States--1928</text>
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                <text>Ink &amp; Crayon Drawing. In the 1928 presidential election, incumbent Herbert Hoover was the Republican candidate, while Al Smith was the Democratic nominee. Despite significant differences between them, Young dismisses both of them as servants of big business by drawing them as dogs fawning over a shepherdess representing business. Young has drawn himself in the lower left corner of the cartoon, and he says of the voters, “By golly, they like to be sheep.”</text>
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            <name>Language</name>
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                <text>2010.00226</text>
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              <name>Title</name>
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                  <text>Mourek Exhibit</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
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          <element elementId="50">
            <name>Title</name>
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                <text>Ford for President</text>
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            <name>Subject</name>
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                <text>Businessmen--United States</text>
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                <text>Ink &amp; Non-repo Pencil Drawing. While Henry Ford is best known for founding the Ford Motor Company, introducing the Model T automobile, and developing the assembly line, this cartoon refers to the industrialist’s less well-known role in politics. Between 1916 and 1924, there was strong grassroots support for Ford as a candidate for president. At the time, Ford was associated with pacifism and known for giving his workers a salary more than twice what most other companies offered. Today, it is hard to imagine Ford as a popular candidate for president, since he is often associated with anti-Semitism and resistance to unionization.</text>
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                <text>From the collection of Anthony J. Mourek</text>
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            <name>Publisher</name>
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                <text>c. 1916–1923</text>
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            <name>Language</name>
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              <elementText elementTextId="34310">
                <text>2010.01627</text>
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              <name>Title</name>
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          <name>Original Format</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Editor and Cartoonist Review the Army of Contributors</text>
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            <description>The topic of the resource</description>
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                <text>Cartoonists--United States</text>
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                <text>Periodicals--United States</text>
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          <element elementId="41">
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                <text>Ink drawing published in Good Morning (New York). Young and Ellis Jones, a former associate editor of Life magazine, founded Good Morning, a socialist humor magazine, in 1919. Jones and Young ran the magazine on a “shoe string” budget, and probably would not have been able to pay the armies contributors shown in this cartoon. The magazine lasted for less than two years, and often repeated cartoons used in earlier editions and reused cartoons that first appeared in other publications.</text>
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                <text>From the collection of Anthony J. Mourek</text>
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            <name>Publisher</name>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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                <text>1919 May</text>
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            <name>Language</name>
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                <text>Carter Harrison Bluster</text>
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                <text>Ink drawing. Published in Chicago Inter-Ocean</text>
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                <text>Young, Art, 1866-1943</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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                <text>Ink &amp; Crayon Drawing. This is another, more elaborate, example of one of Young’s cartoons criticizing capitalist society by depicting it as a modern version of hell. In this case, “Office of Satan &amp; Co.” forecloses on mortgages and squeezes the supplicating people because “it’s business.”</text>
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                <text>From the collection of Anthony J. Mourek</text>
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            <name>Identifier</name>
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                <text>2010.00127</text>
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