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                <text>Protecting the American Home</text>
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                <text>Ink drawing published in Chicago Inter-Ocean. In 1892 a cholera epidemic raged in Europe, making some of the ships arriving in the United States a public health hazard. Republican president Benjamin Harrison approved a quarantine of several ships that arrived in New York carrying the disease, and in this cartoon from early in his career, Young depicts Harrison as a heroic figure, holding the ships at bay. This cartoon was published during an election year while Young was still “a Republican employed by a Republican paper;” he would rarely present any person in power so uncritically in his later years. Young does, however, attack the steamship companies for their greed, foreshadowing some of his later views.</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>Subpoena Duces Tecum</text>
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                <text>Ink drawing. Robert Ingersoll, a politician and famous agnostic who was mentioned in James Joyce’s Ulysses, was a controversial figure in American public life known for his fiery speeches promoting agnosticism. In February 1894, the Salvation Army sent a “summons” to Ingersoll, whom they called the “Prince of Paganism,” requesting that he appear as a witness for the defense in a mock trial the group had organized in Chicago to try the devil. Ingersoll declined. This cartoon signed by “Currier” was owned by Art Young and pictures the young artist with a sketch pad on the far right. Young drew a cartoon illustration of Ingersoll “from life” for the February 5, 1894 issue of the Chicago Inter-Ocean. This cartoon may be a gift from a friendly cartoonist or a self-promoting cartoon drawn by Young but signed Currier, a nod to Nathaniel Currier of Currier &amp; Ives. What do you think?</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>2010.00259</text>
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              <text>15 x 21.5 in.</text>
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                <text>Stealing thunder</text>
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                <text>Capitalism--United States |</text>
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                <text>Ink drawing published in The Coming Nation. In this cartoon, Young shows President Theodore Roosevelt stealing thunder from the socialist cause by giving in to some of the socialists’ immediate demands. Roosevelt’s position, however, was more moderate than the socialist Young probably would have liked, so Young has shown him weakening the socialist position by supporting some reforms while leaving the basic structure of capitalism intact. By this point Young’s sympathies were with the socialists and this cartoon was published in a socialist periodical. While this cartoon deals with the political issues of the day, Young’s broader focus on the conflict between socialism and capitalism is increasingly visible.</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>c. 1901-1909</text>
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                <text>2010.01029</text>
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                <text>You're a Liar—I Didn't Eat No Wahtermelon—Deed I Didn't</text>
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                <text>Elections--United States--1912</text>
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                <text>Ink &amp; Non-repo Pencil Drawing published in Puck. While Young was progressive in many things, cartoons like this one show that, whatever his personal attitudes may have been, he was willing to play to the attitudes of his audience with extremely racist imagery. Young depicts former President Theodore Roosevelt as an African American man surrounded by half-eaten watermelons labeled “campaign expenses.” This cartoon probably refers to the controversy that emerged in 1912 over campaign funds Roosevelt had received in 1904. The fact that Young has used a racist stereotype to comment on Roosevelt’s behavior reveals how pervasive these stereotypes were at the time.</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>[Taft as Abandoned Woman]</text>
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                <text>Ink drawing. Sitting President Theodore Roosevelt refused to run for reelection in 1909, instead selecting William Howard Taft as his successor for the Republican nomination.  Taft served as president from 1908 to 1912, but his presidency was marred by impressions that he was indecisive and weak-willed.  Unhappy with Taft’s administration, Roosevelt tried to obtain the Republican nomination in 1912. This created a deep rift in the Republican Party, and ultimately Roosevelt started the “Bull Moose Party” and ran for president as a Progressive, drawing many of the more progressive Republicans with him and allowing Woodrow Wilson to win the election. To illustrate the split, Young depicts Taft as an abandoned woman. Taft is surrounded by photographs of the people who once supported him, including Roosevelt, and holds notes from radical Republicans who have deserted him for being too conservative and conservative Republicans who have deserted him for being too radical. Young plays into gender stereotypes of the time by depicting Taft as a woman in order to show Taft’s indecisiveness and passivity.</text>
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                <text>A Speech in the Woods</text>
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                <text>Ink &amp; non-repo pencil drawing published in On My Way: Being the Book of Art Young in Text and Picture. New York: Horace Liveright, 1928, p. 14. This is an illustration from Young’s first autobiography. It depicts an afternoon during which Young and his neighbor Martin went for a walk in the woods. At Martin’s prompting, Young performed a speech in the style of a Southern congressman, extolling the passage of the income tax, the Federal Reserve Act, and the Underwood tariff. Young states that his observation of Washington politicians and his experience as a Socialist party nominee campaigning unsuccessfully for the New York State Senate in 1918 familiarized him with “the platitudes, the postures and the eloquent bunk that are the equipment of our so-called statesmen.”</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>2010.01247</text>
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                <text>Ink &amp; Non-repo Pencil Drawing. While Henry Ford is best known for founding the Ford Motor Company, introducing the Model T automobile, and developing the assembly line, this cartoon refers to the industrialist’s less well-known role in politics. Between 1916 and 1924, there was strong grassroots support for Ford as a candidate for president. At the time, Ford was associated with pacifism and known for giving his workers a salary more than twice what most other companies offered. Today, it is hard to imagine Ford as a popular candidate for president, since he is often associated with anti-Semitism and resistance to unionization.</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>Arab Pogroms</text>
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                <text>Ink drawing published in Der Groyser Kundes (New York). Young drew this cartoon for Der Groyser Kundes (“Big Stick”), a Jewish humorous weekly edited by Jacob Marinoff. Young supported himself with his work for this publication while he was on trial for sedition, since the editors of most other magazines were reluctant to publish his work during that time. This cartoon may refer to the Conference of London, which began on February 12, 1920. At this conference, the participants discussed the terms of the peace with Turkey and how to divide the territory of the old Ottoman Empire. The standing figure, labeled “Arabia,” holds a scroll reading “Arab pogroms - The colony of Matulla completely destroyed, six Jews murdered, 10 wounded, the rest driven out,” referring to violence in the Jewish settlement of Metula in the region of Palestine. This cartoon probably refers to the movement of the time to create an independent Syrian state with authority over the area of Palestine. Young and Marinoff feared that the creation of such a state would result in similar or worse violence against the Jewish people in its territory.</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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                <text>Editor and Cartoonist Review the Army of Contributors</text>
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                <text>Ink drawing published in Good Morning (New York). Young and Ellis Jones, a former associate editor of Life magazine, founded Good Morning, a socialist humor magazine, in 1919. Jones and Young ran the magazine on a “shoe string” budget, and probably would not have been able to pay the armies contributors shown in this cartoon. The magazine lasted for less than two years, and often repeated cartoons used in earlier editions and reused cartoons that first appeared in other publications.</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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                <text>The Man Who Opposes the Sale of Dope</text>
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                <text>Drugs of abuse--United States</text>
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                <text>Ink drawing. This cartoon depicts William Randolph Hearst, a powerful publisher who, at the peak of his success, owned sixteen newspapers. The reporting in Hearst’s newspapers was often sensationalistic, a style which was eventually termed “yellow journalism.” Hearst’s newspapers launched the famous “reefer madness” campaign about the dangers of marijuana, and Young has taken the opportunity to liken Hearst to a peddler of a different kind of drug. A sign next to Hearst advertises “escape truth and reality… hypocrisy and sophistry for every occasion… Editorials to produce paralysis of thought,” and a smaller sign offers “Venom and hatred to kill labor unions.”</text>
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            <name>Identifier</name>
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                <text>2010.01405</text>
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