<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="http://specialcollections.luc.edu/items/show/872">
    <dcterms:title><![CDATA[Imago primi saeculi Societatis Iesu, a Prouincia Flandro-Belgica eiusdem Societatis repraesentata…<br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[Jesuits<br />
Society of Jesus<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[Frontispiece of Imago primi saeculi Societatis Iesu, a Prouincia Flandro-Belgica eiusdem Societatis repraesentata…(Antwerp, 1640)<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Hossche, Sidronius de<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[BX3702.A214 1640]]></dcterms:source>
    <dcterms:publisher><![CDATA[Loyola University Chicago Archives and Special Collections]]></dcterms:publisher>
    <dcterms:date><![CDATA[1640]]></dcterms:date>
    <dcterms:contributor><![CDATA[van de Walle, Jacques]]></dcterms:contributor>
    <dcterms:language><![CDATA[Latin]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="http://specialcollections.luc.edu/items/show/2035">
    <dcterms:title><![CDATA[Immersive Van Gogh Exhibit, Chicago]]></dcterms:title>
    <dcterms:description><![CDATA[The Immersive Van Gogh exhibit during pandemic in Chicago, including patrons]]></dcterms:description>
    <dcterms:creator><![CDATA[Jennifer Duvall]]></dcterms:creator>
    <dcterms:date><![CDATA[3/25/2021]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="http://specialcollections.luc.edu/items/show/1672">
    <dcterms:title><![CDATA[In Darkest Chicago]]></dcterms:title>
    <dcterms:subject><![CDATA[Illinois--Chicago]]></dcterms:subject>
    <dcterms:subject><![CDATA[Crime--Illinois--Chicago]]></dcterms:subject>
    <dcterms:description><![CDATA[Ink drawing. This is an example of an early non-political cartoon by Young from the days of Chicago’s Columbian Exposition serves. Many fair visitors spent money in the &quot;Levee,&quot; a notable vice district in Chicago, and many politicians got a cut of that money.  The Levee’s location between the fairgrounds and the hotels in Chicago’s Loop helped it draw tourists leaving the fair to its nighttime, illegal entertainments.  This cartoon, published in Chicago Inter-Ocean, depicts “types of the Levee.” Vice districts were havens for crime, but the city tolerated that crime with the intention of keeping it confined to a manageable area.  The cartoon shows thieves congregating and preying upon passersby, an impoverished girl selling flowers on the street, a disreputable concert hall, and a police raid.]]></dcterms:description>
    <dcterms:creator><![CDATA[Young, Art, 1866-1943]]></dcterms:creator>
    <dcterms:source><![CDATA[From the collection of Anthony J. Mourek]]></dcterms:source>
    <dcterms:publisher><![CDATA[Loyola University Chicago Archives &amp; Special Collections]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1890]]></dcterms:date>
    <dcterms:format><![CDATA[jpg]]></dcterms:format>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Political cartoon]]></dcterms:type>
    <dcterms:identifier><![CDATA[2010.00065]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://specialcollections.luc.edu/items/show/508">
    <dcterms:title><![CDATA[Information Commons]]></dcterms:title>
    <dcterms:creator><![CDATA[Keith Esenther, S.J.]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Loyola University Chicago Archives and Special Collections]]></dcterms:publisher>
    <dcterms:date><![CDATA[2008]]></dcterms:date>
    <dcterms:format><![CDATA[jpg]]></dcterms:format>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[image]]></dcterms:type>
    <dcterms:coverage><![CDATA[Chicago, IL]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="http://specialcollections.luc.edu/items/show/1850">
    <dcterms:title><![CDATA[Ingram]]></dcterms:title>
    <dcterms:description><![CDATA[Donte Ingram at the Loyola field when they returned from the Sweet 16]]></dcterms:description>
    <dcterms:creator><![CDATA[Claudia Holtsclaw]]></dcterms:creator>
    <dcterms:date><![CDATA[March 18, 2018]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="http://specialcollections.luc.edu/items/show/897">
    <dcterms:title><![CDATA[Insull Farmhouse]]></dcterms:title>
    <dcterms:subject><![CDATA[Insull, Samuel<br />
country estates]]></dcterms:subject>
    <dcterms:description><![CDATA[In 1907, Samuel Insull purchased 132 acres of land called Hawthorn Farm and the farmhouse which occupied this space. Construction on a new house began in 1914, but the original structure stood for some time.]]></dcterms:description>
    <dcterms:source><![CDATA[Cuneo Collection]]></dcterms:source>
    <dcterms:publisher><![CDATA[Loyola University Archives and Special Collections]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1910]]></dcterms:date>
    <dcterms:date><![CDATA[Digitized: 2012 March 29]]></dcterms:date>
    <dcterms:coverage><![CDATA[Libertyville]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="http://specialcollections.luc.edu/items/show/651">
    <dcterms:title><![CDATA[Interlaken Area Perspective]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="http://specialcollections.luc.edu/items/show/652">
    <dcterms:title><![CDATA[Interlaken Mannlichen, Jungfrau in Background]]></dcterms:title>
    <dcterms:subject><![CDATA[R.V. Schoder, G.M. Hopkins, switzerland]]></dcterms:subject>
    <dcterms:creator><![CDATA[R.V. Schoder]]></dcterms:creator>
    <dcterms:source><![CDATA[Raymond V. Schoder, S.J. Collection]]></dcterms:source>
    <dcterms:publisher><![CDATA[Loyola University Chicago University Archives and Special Collections]]></dcterms:publisher>
    <dcterms:date><![CDATA[Date Original: unknown<br />
Date Digital: 7/12/2011<br />
]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright 1989 Loyola University of Chicago, R. V. Schoder, S.J., photographer]]></dcterms:rights>
    <dcterms:format><![CDATA[jpg]]></dcterms:format>
    <dcterms:language><![CDATA[english]]></dcterms:language>
    <dcterms:type><![CDATA[slide]]></dcterms:type>
    <dcterms:coverage><![CDATA[Switzerland]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="http://specialcollections.luc.edu/items/show/1488">
    <dcterms:title><![CDATA[International Typographical Union (ITU) Delegate Medal]]></dcterms:title>
    <dcterms:description><![CDATA[Medal worn by Mollie West at the 115th Annual International Typographical Union Conference in San Diego, CA. The medal details the dates of the conference as well as the year it occurred.]]></dcterms:description>
    <dcterms:source><![CDATA[Mollie Leiber West Papers]]></dcterms:source>
    <dcterms:date><![CDATA[1973]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright is held by the Women and Leadership Archives]]></dcterms:rights>
    <dcterms:bibliographicCitation><![CDATA[“International Typographical Union (ITU) Delegate Medal,” Loyola University Chicago Digital Special Collections, accessed [date], [hyperlink].]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="http://specialcollections.luc.edu/items/show/926">
    <dcterms:title><![CDATA[Interview with David Orr, 1998]]></dcterms:title>
    <dcterms:description><![CDATA[Transcription: &quot;Just think of this: it’s 1969, ’70, ’71. It’s partly a reflection of the sixties. You’ve got students who are saying, you know, ‘Why do I have to take these particular courses, in this particular order? I can learn better if you just let me do some of these things. Or maybe I shouldn’t be graded in all this stuff, because then I’m trying to focus on this rather than…”…But this time at Mundelein, what you really had was good students who were on the edge. Remember, I attribute it to the sixties. Good students who were on the edge of adulthood. And progressivism or even radicalism—Because all this swirled around them, you know, the Civil Right Movement, the Vietnam War, all the youthful energy created by all that stuff, including the youthful disappointments at all the horrible things that were happening in ’68, ’69, ’70.&quot;]]></dcterms:description>
    <dcterms:source><![CDATA[Mundelein College Oral History Collection]]></dcterms:source>
</rdf:Description></rdf:RDF>
