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                  <text>Mollie Lieber West</text>
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                  <text>This digital collection contains photographs and images of documents and objects from the Mollie Lieber West Papers at the Women and Leadership Archives (WLA).</text>
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                  <text>Copyright is held by the Women and Leadership Archives.</text>
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                <text>Mollie West high school photos</text>
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                <text>Photos of Mollie as a senior in high school in 1934.</text>
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                <text>1934</text>
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                <text>Copyright is held by the Women and Leadership Archives.</text>
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                <text>"Mollie West high school photos,” Loyola University Chicago Digital Special Collections, accessed [date], [hyperlink].&#13;
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Mourek Exhibit</text>
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              <text>Advertisement</text>
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            <name>Title</name>
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                <text>Art Young’s Cartoon Mat Service</text>
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                <text>Offset Lithograph Flyer. In this advertisement, Young touts his cartoon-making services and presents several examples of his work. He offers five cartoons every two weeks for six months for $20. These cartoons were probably pulled from his large collection of prints of his work—Young’s family threw out hundreds of such prints after his death. Most of the examples he includes in this ad reflect Young’s socialist perspective, including the one captioned “Uncle Nick Lenin: ‘Hurry Up, Charlie, If You Want a Ride,’” which features Vladimir Lenin.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2010.00246</text>
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                <text>From the collection of Anthony J. Mourek</text>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Greeting card</text>
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              <text>8 x 12 in.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>It’s Hell But Here We Are Again</text>
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            <description>The topic of the resource</description>
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                <text>New Year</text>
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            <description>An account of the resource</description>
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                <text>Young frequently designed and sent as many as 500  Christmas and New Year cards annually, and this one from 1938 features one of his many self-portraits and a reference to his several hell-themed books. As a working artist and small businessman he used his mailing list for contacts, especially when he was developing “Good Morning” magazine.</text>
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                <text>Young, Art, 1866-1943</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>From the collection of Anthony J. Mourek</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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                <text>1938</text>
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                <text>jpg</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <description>The nature or genre of the resource</description>
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                <text>image</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="34076">
                <text>2010.00997</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Political cartoon</text>
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                <text>Better Jump on Charlie</text>
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            <description>The topic of the resource</description>
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                <text>International trade</text>
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                <text>Published in Der Groyser Kundes (New York), April 1, 1921, and Good Morning (New York), April 15, 1921. Ink Drawing with English text on linen covering Yiddish. This is the original drawing of one of the cartoons features in “Art Young’s Cartoon Mat Service.” This cartoon, captioned “Uncle Nick Lenin: ‘Hurry Up, Charlie, If You Want a Ride’” in the printed version, depicts the leaders of Germany, Italy, and England jumping on a truck of Russian resources driven by Soviet leader Vladimir Lenin while U.S. Secretary of State Charles Evans Hughes watches, uncertain. At this time, Lenin was instituting the “New Economic Policy” in the Soviet Union and the Soviet Union was reentering international stage; the Anglo-Soviet Trade Agreement had been signed by the United Kingdom and the Soviet Union on March 16, 1921. In addition to trade issues, the parties agreed to refrain from hostile actions or propaganda against one another’s interests and institutions. Here, Young advocates for the U.S. to resume international trade with the Soviet Union with as much enthusiasm as it seemed Britain and the rest of Europe were showing.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Young, Art, 1866-1943</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>From the collection of Anthony J. Mourek</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>April 1921</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpg</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Political cartoon</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2010.02148</text>
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              <text>11 x 8.5 in.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Blow That Almost Killed a Cartoonist</text>
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            <description>The topic of the resource</description>
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                <text>Cartoonists--United States</text>
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            <description>An account of the resource</description>
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                <text>Ink drawing. This self-portrait by Young comments on his perception of himself as an outsider in his profession. In 1914, Young was nominated for membership in the National Press Club, but was rejected. In Art Young: His Life and Times, Young writes that “my record was against me,” in part because of the libel suit brought against him by the Associated Press. A very similar drawing is featured in his autobiography; this may be a sketch for that cartoon.</text>
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                <text>Young, Art, 1866-1943</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>From the collection of Anthony J. Mourek</text>
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            <name>Publisher</name>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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            <name>Language</name>
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            <name>Identifier</name>
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              <elementText elementTextId="34102">
                <text>2010.00268</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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      <name>Still Image</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ambition: In Hell as it is On Earth</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Capitalism</text>
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                <text>Social conflict</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Ink drawing. Published in Art Young’s Inferno: A Journey Through Hell Six Hundred Years After Dante. New York, Delphic Studios: 1934, p. 64.  This is one of Young’s many cartoons that focus on the conflict between capitalist values and socialist values rather than specific political events. In this case, Young has dramatized the capitalist worldview as a modern version of hell. This cartoon was an illustration in one of his several books inspired by Dante’s Inferno.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Young, Art, 1866-1943</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>From the collection of Anthony J. Mourek</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 1934</text>
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                <text>jpg</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <description>The nature or genre of the resource</description>
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                <text>Political cartoon</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="34116">
                <text>2010.02042</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Mourek Exhibit</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="34130">
              <text>Political cartoon</text>
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          </elementTextContainer>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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            <elementText elementTextId="34131">
              <text>14 x 20.5 in</text>
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        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34117">
                <text>The Issue that is Over and Above All Other Issues</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34118">
                <text>Capitalism--United States |</text>
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              <elementText elementTextId="34119">
                <text>Natural resources--United States |</text>
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                <text>Socialism--United States |</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="34121">
                <text>Ink &amp; Crayon Drawing, 14 x 20.5 in. Caption: “The issue that is over and above all other issues; but Mr. Hoover and Mr. Smith do not choose to see it.” This item shows how Young’s socialist politics informed his cartoons on current events. Private ownership of public needs is depicted as a dragon brooding over things like forest, water power, schools, and railroads. The socialist candidate for president in 1928, Norman Thomas, arms himself with votes from labor in an effort to slay the dragon. Meanwhile, Young indicates in the caption, Republican presidential candidate Herbert Hoover and Democratic presidential candidate Al Smith ignore this private ownership, which is “over and above all other issues.”</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Young, Art, 1866-1943</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="34123">
                <text>From the collection of Anthony J. Mourek</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="34124">
                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 1928</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="34126">
                <text>jpg</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="34127">
                <text>English</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="34128">
                <text>Political cartoon</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="34129">
                <text>2010.02068</text>
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  <item itemId="1670" public="1" featured="0">
    <fileContainer>
      <file fileId="2229">
        <src>http://specialcollections.luc.edu/files/original/236e88bf64f002889c17591a3d8edaae.jpg</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32757">
                  <text>Mourek Exhibit</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="34144">
              <text>Political cartoon</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="34132">
                <text>Is He a Vicious Animal?</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Capitalism--United States |</text>
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                <text>Natural resources--United States |</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Ink &amp; crayon drawing published in The Best of Art Young. New York: The Vanguard Press, 1936, p. 55.&#13;
&#13;
Caption: “Is he a vicious animal? Just you try to take his bone away.”&#13;
&#13;
This is an example of one of Young’s cartoons attacking the capitalist system, in this case for its exploitation of natural resources.</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Young, Art, 1866-1943</text>
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            <name>Source</name>
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                <text>From the collection of Anthony J. Mourek</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Undated</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Political cartoon</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>2010.02061</text>
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  <item itemId="1671" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Mourek Exhibit</text>
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    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="34157">
              <text>Political cartoon</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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            <elementText elementTextId="34158">
              <text>13 x 14 in.</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Business is Business</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Business enterprises</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Ink &amp; Crayon Drawing. This is another, more elaborate, example of one of Young’s cartoons criticizing capitalist society by depicting it as a modern version of hell. In this case, “Office of Satan &amp; Co.” forecloses on mortgages and squeezes the supplicating people because “it’s business.”</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Young, Art, 1866-1943</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>From the collection of Anthony J. Mourek</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 1892-1934</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpg</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Type</name>
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                <text>Political cartoon</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2010.00127</text>
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        <src>http://specialcollections.luc.edu/files/original/a47a50f8531f77577fd399c9f6ee163c.jpg</src>
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              <name>Title</name>
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                  <text>Mourek Exhibit</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="34171">
              <text>Political cartoon</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text>22.5 x 15.5 in</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>In Darkest Chicago</text>
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            <name>Subject</name>
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                <text>Illinois--Chicago</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Ink drawing. This is an example of an early non-political cartoon by Young from the days of Chicago’s Columbian Exposition serves. Many fair visitors spent money in the "Levee," a notable vice district in Chicago, and many politicians got a cut of that money.  The Levee’s location between the fairgrounds and the hotels in Chicago’s Loop helped it draw tourists leaving the fair to its nighttime, illegal entertainments.  This cartoon, published in Chicago Inter-Ocean, depicts “types of the Levee.” Vice districts were havens for crime, but the city tolerated that crime with the intention of keeping it confined to a manageable area.  The cartoon shows thieves congregating and preying upon passersby, an impoverished girl selling flowers on the street, a disreputable concert hall, and a police raid.</text>
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            <name>Creator</name>
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                <text>Young, Art, 1866-1943</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>From the collection of Anthony J. Mourek</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Loyola University Chicago Archives &amp; Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 1890</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpg</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="34168">
                <text>English</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Political cartoon</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="34170">
                <text>2010.00065</text>
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            </elementTextContainer>
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